Friday, March 21, 2014

Taylor's Bridge, Idaho Falls, ID

Date: October 14, 2009
Medium: Acrylic
Description: Based on the Taylor's Bridge replica found in downtown Idaho Falls, ID. This bridge is the reason Idaho Falls is where it is today. If this bridge had not been built, the city most likely would have grown up around the ferry site about nine miles upstream.


Friday, March 14, 2014

First Acrylic- Bob Ross Style

Date: September 2009
Medium: Acrylic
Description: This is my first real attempt at an acrylic painting, based on an oil painting by Bob Ross as part of this "Joy of Painting" series on PBS.


Wednesday, February 26, 2014

Lessons learned from a point-and-shoot camera

Ever since I knew they existed, I have wanted a Digital SLR camera. I just have. Nothing against compact point-and-shoot cameras, but they just don't give me the control that I want when taking pictures or shooting video.

I am a third generation amateur photographer. My grandfather shot black and white film and developed it himself late at night for the want of a dark room. My father bridged the gap to color film, and finally to digital. My interests (which are primarily in video) rely heavily on that foundation of photography for training in light, exposure, and composition.

About a year ago my wife and I went shopping to get a camera for me to shoot videos with, knowing our budget wouldn't permit a DSLR I found what I thought was a suitable replacement. While I was able to shoot video and make a few short films, it didn't give me nearly the control I was looking for. I wanted to stylize my video, but the camera wouldn't allow me to do so. It was then that I came to a startling realization.



I wanted a camera that would let me take "bad" pictures.

This took me back for a moment, but I soon realized that camera companies want every shot to look good so that they will sell more cameras. They are more interested in making a profit than they are educating the general public how to use aperture and focal length. While this lets more people take good pictures, it does limit the agency of the photographer to make important stylized choices.

Blurry doesn't always mean bad. Some of the best pictures I have ever seen have the majority of the picture out of focus. In videography controlling depth of field is paramount to a professional look. Maybe I do want to underexpose a shot for a more gothic look, or overexpose it for a more heavenly one. This doesn't mean that every shot I take will be "perfect," but it does mean that the ones I get right will be fantastic rather than just good!

I am not saying that point-and-shoot cameras are bad, in fact if you read the manual over and over a dozen times and fiddle with the settings enough you can still achieve similar results. However I am adamant that in order to take fantastic pictures, you need a camera that gives you enough control (or agency) that you can also take really "bad" pictures. I would even go so far as to tout the mantra that in this instance "Good" really is the enemy of "Great."

Thursday, November 21, 2013

eBooks- I Ate My Homework- Now Available!


My new ebook on Kindle is available for FREE over the next 5 days! Feel free to share and don't forget to leave a review on Amazon.com.

While it is written with college students in mind, it is really for anyone who needs fast, easy recipes, or who is just learning to cook. (Oh, and the cheesy bread recipe is to die for!)

I Ate My Homework!- Easy Recipes for College Students
http://www.amazon.com/dp/B00GRDRI04/

Monday, November 18, 2013

eBooks- I Ate My Homework- Easy Recipes for College Students


New cover and title for my college cook book. I wrote this book several years ago to keep track of all the fast, easy, inexpensive meals I was making to get through college. I sold over 20 copies to friends and family which I printed and bound by hand.

After a much needed overhaul you will find new recipes, additional tips for budgeting and meal planning, as well as a revamped Beginner's Guide.

If you already know your way around the kitchen, enjoy these 30+ fast and easy recipes, and take a peek at the preparation section for ideas on how to make food preparation faster!

Coming soon to Amazon Kindle!


Edit: Now available- http://www.amazon.com/dp/B00GRDRI04/

Wednesday, October 30, 2013

Open CS- Inkscape (Vector Images)

I am not much of an expert on vector graphics, but having discovered Inkscape I threw myself into the vector world for a week and found Inkscape quite natural to work with. To test out the program I decided to ink and color an entire comic book page that I wrote and drew some years ago. I quickly learned that while I was able to ink and color the entire page, it does take time to get use to vector tools versus raster tools.

There is one tool that is unique to Inkscape which Illustrator does not have, and that is the bucket fill tool. This was developed by a comic book illustrator in conjunction with some of the Inkscape developers.

I won't go into a ton of detail on the tools in this document, however, I did find a well made series on Youtube which more than covers the basic tools in Inkscape: http://www.youtube.com/watch?v=7SRkALUGXDw&feature=share&list=SPxxNwIiCCunS7X6mBzXYa4Xiq2w1t-cng

User Interface

I did want to spend some time on the UI which to me was the most confusing part of Inkscape. Depending on your monitor proportions, part of the menu migrates to the right-hand side. This can be changed by clicking View > Default or View > Custom.

When I work, I prefer to have the “Layers” dialogue and the “Fill and Stroke” dialogue open. These can be opened by pressing Shift+Ctrl+L (Layers) and Shift+Ctrl+F (Fill and Stroke) The dialogues sit to the right of the work area.

When you select a tool, the options for that tool will appear in the bar along the top of the work area, this is particularly important for the node editing tool since that is where you will find the options to add and remove nodes and segments. The color swatches along the bottom can be added to vectors and nodes by clicking on the swatch with the vector or node selected, they can also be used via "drag and drop."

Basic Tasks

Navigating the Canvas
The easiest way to zoom in and out of the canvas (there are several) is to hold Control and scroll the mouse wheel. To pan the canvas, center click and hold to drag the canvas around.

Tools
While I cannot give a detailed look at every tool, I will cover the most commonly used tools, particularly those I found somewhat troublesome. A full shortcut list/cheat sheet can be found at: http://inkscape.org/doc/keys048.html

Select (F1)
Use the Select tool to move, scale, skew, or rotate an object. If you click the vector once, you get the move and scale arrows around the perimeter of the object. If you click the object twice, you get the rotate and skew arrows.

Edit Node (F2)
Allows you to edit objects via the nodes around the perimeter and in the center.

Bezier/pen (Shift+F6) To create straight lines just click to create nodes that will automatically connect in succession, if you click on the first node when you have completed the vector, it will fill the inside of the vector with the current fill settings. to create a line that doesn’t rejoin the first node, press “Enter” to end the vector.

To create Bezier curves, drag as you place the node. This will add the Bezier handles to the node which you will be able to adjust later with the Edit Node tool.

There are lots of options with the Bezier tool, play around with them until you are comfortable. If you need more in depth information on this or any other tool, click on the YouTube link mentioned in the introduction.

Fill (Shift+F7) This tool was developed by a comic book artist who needed a faster way to color his pages, this tool does a raster-like fill, then converts it to a vector. Because this tool uses a raster-like fill, you will want to zoom in until the vector fits just inside the work area to get the best possible fill.

Gradient (Ctrl+F1) The default gradient is from the selected color to clear. To add another color, select the node on the clear side of the gradient, then select the color swatch you want to transition to.

Intermediate Tasks

Stroke and Fill
Once you have created a vector you can change the Fill and Stroke using the “Fill and Stroke” dialogue. If you have just drawn the vector it will automatically select it and you can make changes, otherwise use the Select tool (F1) to select the vector you want to change.

Duplicate a vector
To duplicate a vector select the desired vector with the select tool, then press Shift+D.

Z-order, Select under
To change the order of a vector, select the vector, then use the “Page Up” or “Page Down” keys to move the vector up or down within a layer. You can also use the “Home” and “End” keys to move the vector to the top or bottom of the stack respectively.

If you need to select a vector that is beneath another vector (such as a drop shadow), use “Alt+click” to select the lower layer.

Multiple selections
Hold “Shift” as you use the select tool to select multiple vectors at the same time.

Layers
Similar to GIMP, Inkscape lets you define layers to better control what you are doing. For example I used Inkscape to ink and color a comic book page. I had one layer for the original raster image that I scanned in, one layer for the ink, one layer for the colors, and one layer for the conversation bubbles. By dividing my layers this way, I am able to print off a black and white version of the comic by hiding the colors layer. Thus saving me printer ink when I do preliminary reviews of the page. Vectors can be moved between layers via cut and paste.

Export ".png"
The default file format for Inkscape is “.svg” or Scalable Vector Graphic. To export a raster version of your graphic, click File > Export Bitmap to create a “.png” or “Ping” file which can be read by most other programs. You will need to browse for the location you want to export to, and will need to provide a filename. If you choose to export the page, you will get everything that is visible, even if it is outside the page boundary. To prevent this, I recommend creating a layer with a single background vector that is the dimensions you need. Select this layer just before you export and it will save you a lot of trouble.

Sample Comic Book Page